Fan Of Genre Since 1975

I was five years old in March of '75. Yes, I've been a fan since then, only I didn't come to that conclusion until recently. I'd always thought '77 was the year I became I fan. Do I need to spell out what franchise debuted in 1977? Didn't think so.

What made me think of writing this was an author interview I participated in over on the mylifemybooksmyescape blog. I brought up Kolchak: The Night Stalker as one of the influences for the novel Iron Angels, which I co-wrote with the wonderful Eric Flint.

The more obvious influence was The X-Files, but to anyone who reads Iron Angels that should be somewhat obvious. Kolchak, for the uninitiated, stars Darren McGavin (you know, the dad from A Christmas Story) as a reporter who finds himself embroiled in the fantastic and unbelievable. The show only aired for one season (there were also two TV movies that aired earlier that were highly rated) but this show was cited as an inspiration for The X-Files. I remember my great-grandmother babysitting me watching Kolchak while sipping a Pabst Blue Ribbon. The show scared me to death (there are plenty of horror elements), but it stuck with me.

Two more shows I remember from my childhood are Quincy and Columbo. Both of those are genre, too--you didn't think I only meant science fiction/fantasy/horror, did you?

The shows all have something in common, solving a mystery. Investigating. It doesn't matter if it's fantastic or based more on what we believe is reality, what obviously stuck with me was the mystery.

Let's take it even further! Another show I adored as a child was Scooby Doo. More mystery! More monsters! More investigation! Scooby Doo was my absolute favorite cartoon back then, and I still enjoy it--which is why I bought the full DVD collection housed in The Mystery Machine! And now I'm reading Meddling Kids, by Edgar Cantero.

What brought Scooby Doo back around to me was when I came across the most awesome cosplay at Dragon Con (annual multi-media convention held in Atlanta with around 80,000 attendees!). Not only did they have the Scooby Doo gang there, but the monsters was almost every episode! It was like I was in the cartoon!

When I got a little older, I used to watch all the classic mystery films and suspense films such as those from Hitchcock, which also influenced me and my choice of career. These are all genre, and I love to watch and read across the different genres.

Now that I'm looking back at my formative years, prodded by these recent rediscoveries I mentioned above, I think it's safe to say that genre, and in particular anything that involved mysteries and investigation led me to my career in law enforcement.

I could go on and on about television and film that influenced me, but for now, this is a good start! Thank you Granny for introducing me to genre (and horrible beer).

Upstream Color: Art-House Science Fiction

Upstream Color is a 2013 science fiction film directed by Shane Carruth, who also plays a major part in the film. The film is one part con artist/thief and two parts science fiction. Here is the description from Amazon: A woman is abducted and hypnotized with an organic material harvested from a specific flower. When she falls for a man the two come to realized he may also have been subjected to the same process.

What was left out of the description (and this is minor spoiler territory) is the parasite introduced via the "organic material" and the "same process" doesn't explain much, but the two were abducted so a thief could rob them blind. The two fall for each other and try to put their lives back together, but the concoction they ingested has them recalling experiences they both shared and bonds them. I won't write anything more on the plot, but this film is beautiful and touching, but also ugly and disturbing.

If you prefer your science fiction (or film watching experience in general) spoon-fed to you, this film isn't for you. It's not even that surreal, certainly not in the same way as a Luis Buñuel or David Lynch film is surreal, but it is challenging, and I'm sure the long stretches without dialogue will turn some people off. I do not believe this slows the pace of the film, as the visuals are fascinating and thought-provoking. Upstream Color is both visceral and blunted at the same time, sharp, yet unfocused depending on what Carruth is attempting to get across.

Carruth not only directed the film, but wrote the soundtrack (which suits the film perfectly and would be a great soundtrack to have on in the background as I'm writing).

If you want something a little different from your science fiction, give this film a try. If you're a Hulu Plus subscriber, it's available for streaming there, or you can rent on Amazon.

Gateway or: A Science Fiction Classic Invaded My Dreams

I first read Frederik Pohl's Gateway (novel published in 1977 from a 1976 serial) in the early 1990s when I was in the Navy. I did a lot of reading during my off duty hours and while on liberty, mostly the classics of science fiction and fantasy, with a smattering of mystery and horror. I was writing a lot back then, too, and looking back on that time in my life, I must have been trying to escape from the daily hazards my military duty posed as well as my personal life which was a mess at that time.

Gateway transported me from my life to a future earth, which I must admit, seemed bleak, but fascinated me. Other classic science fiction novels had socked me with sense of wonder, but Gateway invaded my dreams. The idea of a space station built within a hollowed out asteroid housing alien ships that took crews to unknown destinations captured my imagination. The risk of death mixed with the possibility of reward (perhaps not unlike when I was out on search and rescue missions in old Vietnam era helicopters) resonated with me. At that time in my life I would have jumped in one of those Heechee spaceships in a heartbeat.

I've read this book a half dozen times and the thrill never diminishes for me. To me, Gateway is up there with Foundation, Rendezvous With Rama, Ender's Game, Starship Troopers, Ringworld, and so on and so on. But I love Gateway, and it will always hold a special place in my heart not only because of the sense of wonder, but because it also transports me back to a time in my life I shouldn't forget.

I thought of this book again when I came across a thread on Facebook about the new generation of writers not reading the classics of science fiction. I'm of the opinion that the classics should be visited by today's writers--even if the ideas and the sensibilities seemed outdated. I'm sure many years from now when the readers of the future read our work they'll balk at our primitive mindsets and barbaric sensibilities. This doesn't only apply to books--I feel this way about music and film and television, and art as well.

Learn from the past, but enjoy the past--the passage of time doesn't and shouldn't diminish the quality or the enjoyment of the classics.

Bonus: Syfy may be making Gateway into a mini-series. Also, back around 1992 video games were made based on Gateway, which I played and enjoyed despite the clunky interface.

Rogues In Saratoga Springs: World Fantasy 2015

I'll be on the road again this week and attending World Fantasy in Saratoga Springs NY, November 5th-8th. The con organizers have graciously put me on a panel the opening day-- Thursday, November 5th at 4pm. Here is a description along with the panel participants from WFC's website:

The Rogue
Assassins, thieves, rogues of all stripes, it seems that no quest party™ is complete without a wisecracking roguish sidekick. But is there more to the Rogue than that? 
Ellen Kushner (mod.), Alistair Kimble, Cinda Williams Chima, James Alan Gardner, Ryk E. Spoor

About World Fantasy:

The World Fantasy convention will always be special to me--I attended my first one in 2010 when it was held in Columbus, Ohio. This particular convention is less fan-oriented and more professional, by which I mean, this is a great place to hang out at the bar and meet writers, editors, and literary agents.  Another aspect of the con that I like is that the membership is capped, so one has to purchase their ticket early enough in the year to be sure of getting a spot, otherwise there is a waiting list.

So many of the friends I have in the writing community became friends of mine in Columbus back in 2010. That first convention was interesting, since I went by myself and decided to wing it. Given my day job and the fact that I get paid to talk to people made meeting others not that difficult--but even so, I sat at the bar and the other writers and professionals were friendly and didn't mind talking to a stranger. At that convention I realized the old saying about writers was true--they like to drink. But no one got out of control and I found all my interactions with others to be quite engaging and informative.  I've learned so much about the industry over the years simply by attending conventions--but especially World Fantasy.

Anyway, World Fantasy will always have a special place in my heart, and I'm really looking forward to attending this one and having a chance to hang out with friends.

Moving Picture Monday: Kiss Me Deadly

I like to discuss film almost as much as I enjoy watching them. I (big shock) particularly enjoy classic movies, but future post won't be limited to old silent pictures and talkies.  ;) 

This is from Criterion's website:

Kiss Me Deadly

1955

106 minutes

Black and White 

"In this atomic adaptation of Mickey Spillane’s novel, directed by Robert Aldrich, the good manners of the 1950s are blown to smithereens. Ralph Meeker stars as snarling private dick Mike Hammer, whose decision one dark, lonely night to pick up a hitchhiking woman sends him down some terrifying byways. Brazen and bleak, Kiss Me Deadly is a film noir masterwork as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in American cinema."

---

I re-watched Kiss Me Deadly last night. The film was based on the Mickey Spillane novel of the same name, only Spillane's is Kiss Me, Deadly. The comma is an important subtraction as it changes the meaning of the title. While watching an interview with Mickey Spillane, this was something that bothered him quite a bit (as it would any writer who had that comma in there for a reason). I believe that even when he first turned in the book, the comma was taken out by an editor.

And as mentioned in Criterion's description, the movie (unlike the novel) is more about Cold War paranoia and hysteria. The movie can also be classified as science fiction, based on the addition of a mostly unexplained nuclear device that doubles as a type of Pandora's Box.

I highly recommend picking up this Criterion release, which also includes some nice extras, including an alternate ending.  Criterion does an outstanding job on the transfers and sound, so I won't even go into that here. 

Why do I love this movie? Well, I'm a big fan of classic detective and noir films.  This one goes beyond the familiar detective tropes. I particularly enjoy Ralph Meeker's take on Mike Hammer.

Two scenes in particular I'll point out: 

Hammer is being followed by a thug. The thug has a switchblade which Hammer hears being flicked open. He spins and disarms the thug and repeatedly pounds the man into a wall. Hammer walks away, but the thug gets up and Hammer tosses him down a long, long flight of stairs. Here is the best part:  Hammer watches the man roll down the steps with great interest and has the beginnings of a smile on his face. I love it. 

Next:  He goes to a doctor's office looking for information. He pays the doctor, but being greedy, the doctor wants more. As the doctor goes to put an item Hammer wants in his desk drawer, Hammer slams the doctor's hand in the drawer, making him squeal. Hammer grins as he inflicts pain on the greedy doctor.

There are more examples of this type of behavior, and despite his sadistic tendencies, I love the way Hammer is portrayed in this film. He's a badass in the novels, but in this film, it's another level. 

It's a very bold movie for 1955. I think it holds up well today and is worth your time if you're at all interested in noir or private investigator films. Also, notice how people dress in this movie. Even though he can be quite the thug himself, Hammer knows how to dress himself.